8.28.2009
What should I do when someone acts mean or appears angry?
It does not seem like it will be permanent
I feel like it is similar to a thought in that respect
In that respect should I not just leave it alone
until it does something different?
Do thoughts do things on their own?
Should I be anticipating something or
just very careful with everything?
*
It seems like I haven’t written any good loneliness poems
It seems like I haven’t changed in a long time
Change, man, change is so underrated
I thought about asking my friend how much money he had
What if myself and this friend move to the country
Would this be homoerotic because the friend I am thinking of is male
I honestly think I can be a better person in the country
*
We have been in the same house
And moving towards the same room maybe
Are we moving towards the same room
I hope we are
I wish I had another beer
The beer I have now is really good
It is the only one
The incenses burning are my last two incenses
There’s a breeze
I’m in a rocker
I am a rocker
Something happened in my head that’s either insignificant
Or inexplicable, whatever
Where are you?
Hey
*
Nothing seems interesting.
I am focusing in on a lot of things from my position here
In the rocking chair.
My back aches a little from sitting like this for a while.
My beer got a little warmer.
There's no going back.
I just focused on the atmosphere
between myself and this tree
hoping for some internal reaction.
i guess no, i guess i perceived
the length of my life only.
I guess that is a reaction.
disatisfaction is just a longer
word for 'bored' when you can't
make yourself learn more.
;)
8.18.2009
or
Structural Irony
can't believe it's been a year since this: http://johnguaragno.com/2008/08/25/miles-ross-an-ode/#comments
8.13.2009
one of the great summers, seriously
7.28.2009
i have been between pages (~)80 - (~)115 since around friday of last week.
i am looking at the book and thinking about something other than the book.
i feel like it was written in long sittings and is not revisable. a lot of the language is abstract and if it were to be revised i feel like it would unravel and be difficult to reconstruct.
i feel like i am taking drugs for the purpose of scientific observance.
why am i a person just being tested?
do i not want a house?
i feel myopically attached to something.
i feel like i have no use for the book but i feel like i can read it and react to it passively, with detachment.
"...They can't understand what did it. A complication of pregnancy. They don't inquire further. They misunderstand medical terms. Their vocabulary is not one of disease. Nor is it one of health. What they do, always, is a compromise between death and living. They do know that no doctor was called. She died at night while the Reverend was sleeping, while the little child Kate was sleeping. They also know that the fetus was not expelled. It was tight within her still when she was taken away. Snug as a core in an apple. They do not like to discuss it really. It is not that they are not curious or bereaved or amazed. It is just that they lack the proper terms. They are embarrassed by their own references. The death isn't quite acceptable. It isn't quite . . . respectable." -pg 110 (SCRIBNER SIGNATURE EDITION)
i am unaware of myself reacting internally to what i have read above.
something small happened when i read it.
can i export the small maybe lost thing in my 'material'.
how do i monetize myself?
i just want to be vague and vaguely transition from sentences
i keep hearing either rain or a fan or an air conditioner
i am very comfortable when i close my eyes right now
very tired and confident
i am listening to animal collective
chloroplasts / photosynthesis
that's not it
i feel like i am insulting myself and others
by lacking the proper 'terms'
7.27.2009
7.24.2009
"The moment was mine, I knew, because I grew up all intuition and no curiosity. There's not a curious bone in my body. Like clockwork, I grew up with an innate sense of the proper order of things. I left it to the others to discover their egotistical sexuality. They were programed for impulse but lacked true desire. I recall my own schoolmates professing to enjoy the dopey pleasures of the Tip-O-Whirl in the bleached grassless playground of kindergarten as they wrapped their little thighs around the banana seats. I was not affronted by such behaviour. How could I be? I was up to Jeremiah in my insatiable quest for order. THE HEART IS DECEITFUL ABOVE ALL THINGS AND DESPERATELY WICKED: WHO CAN KNOW IT?"I felt like I was walking down a marina dock and as I passed a pontoon boat that barely fits in its slip, I reacted in a way that has been arbitrarily interposed to my reactions to my environment as they both change over time. I am picturing a lot of boats before and after the 'pontoon boat'. Can I think of boats in a marina and paragraphs as dichotomies. I think boats look like coffins or bugs sometimes.
"Jeremiah is also famous as "the broken-hearted prophet" (who wrote or dictated a "broken-hearted book", which has been difficult for scholars to put into chronological order), whose heart-rending life, and true prophecies of dire warning went largely unheeded by the people of Israel. God told Jeremiah, "You will go to them; but for their part, they will not listen to you"."
7.20.2009
7.13.2009
NOTES
You think about the thing that follows the thing you describe.
You check all tenses. They change a little. This makes it a story.
Straight actions. You feel alcohol from the beer you drank take affect.
You develop are rule about using names and he/she.
You think the flow seems awkward in places.
There is no overall beauty, you say. Not just the sentences being good or bad. What about the whole story. Is it entertaining?
No. You feel like things just happen in a sequence. You have selected different points.
What happened to this person in their one and only life, you should think.
You did a bad job holding you breath at the aquarium.
You did a bad job solving the problem.
It seems like another repetitive you. You notice yourself repeating, but are not sure.
Does a book lie or lay?
Are you this character?
You think this character has aspects of your world embodied in their world.
This person does not refer to your world.
My world seems to be an orange on a slope.
You don’t know what the sentence before this means.
You say, “what.”
You seem dependent on the section breaks in the story. Breaks larger than paragraph breaks.
You think this is a weakness in the story.
Somehow work on connecting the parts that seem alienated, but dependent on the breaks, into the story.
You think about the theme here. How is everything connecting?
You are distracted while editing this story. Just finish this phase of revision then revise paragraph by paragraph.
You go to forums, download music. You are drinking alcohol.
There seems to be a point you want to reach. In six hours you are leaving for a wedding. You have not slept since yesterday morning.
You read that using second person frustrates a lot of professors.
You know this sort of just happened. Because your notes were boring before.
You want to include note taking in the story.
On the train you asked yourself why the main character reads novels. Or why are you writing about the main character reading novels. Is she experiencing things only people who read novels experience?
You’re just creating your own fictional world.
Stay isolated, alienated. ‘Behind your writing.’
You thought the scene where the characters braid each other’s hair seems boring. Maybe it should be deleted, or a conflict or something weird should be added. Something sexual.
You thought about your grandma reading this story while you were on the train.
The story seemed insignificant to you earlier.
Just another failed attempt. You took a note that indicated writing was more than just something you were interested in, like more than a television show you watched all the way through.
You like the part when the character enters the competitive darts tournament.
You cannot decide what should actually take place during the tournament. Is it at all entertaining? You think maybe the whole tournament scene should be one sentence.
It seems like you can think about this more later.
Maybe you can digest it into the overall theme, after you line edit a lot. Just get through a few revisions and chill.
You should relax. You’ve always known as much as you have known. I mean like you won’t learn more than what you already know.
Seems like people forget things here and there. It gets hyper, then slows down a lot.
Seems like whatever you do you have those important memories.
You got the name from a facebook friend who you saw was getting married.
You thought it was about time you finally wrote a story about a person that would stamp down your life a little. It would be like hitting a tree with a lacrosse stick, finally actually doing something.
You should edit even this, a lot.
You once thought about hopping up and hanging on a balcony to a pink building, somewhere in
There are other memories. You know where you have been.
You don’t let yourself like life the way you can.
You don’t know how much you like life.
You just want to party.
Partying seems like energy dispersed in random directions.
We seem to connect in all the dark places.
Write haikus together in a word document.
Add a part where the main character collaborates on haikus with either male or female friend.
You want all your friends to be really good at whatever they choose to do.
You feel like you can be really good at what you choose to do.
You begin to wonder if this story is something or nothing again.
It seems like you need to do something to the story.
Later maybe.
Or work on it until maybe
Seems sweet. You did it bro.
You realize there is an appropriate time for something to take place. And the significance is the description of the result.
You know a friend’s face talking to you about this.
You’re dealing with a giant mess.
You just ‘cut’ this from the story:
Cindy makes progress in the novel while at her job. She reads three pages. She writes a note about the character. “Lonely”. She writes “When does this character actually do any work.” The novel flashes back into the character’s days as a teacher / writer. Cindy’s boss asks her to go to the cash registers to check out customers. Cindy thinks abstractly about the command her boss has on the employees. She wonders if the male workers receive the same tone from the female boss she does. I keep unwillingly realizing that I one day need to quit this job. I am lazy she thinks. My note taking validates my being lazy. I am taking careful note of it.
Cindy meets Margaret during her job. Jason takes Cindy and Margaret to meet a friend of Jason’s. Jason flirts with a singer at the place they go. Cindy leaves with a guy. Jason kisses singer good night. Cindy feels bad at her job. She feels negative things. Flaws, errors, self-doubt. Inconsistency, ignorance. Naiveté. Misunderstands chaotic, unknown origins of world. Feels self-conscious centered. Unlucky though untouched by tragedy or real sadness. Feels meaninglessness, aimlessness.
These lines are from your notebook:
Cindy do not confine Cindy. Woman. A larger thing than something. A sky or something. Women are amazing or something. You hate boys because you are one. You think you’re a bad inefficient one. What should. What your relationship to Cindy. Feel rejected by someone like her not because you’re not a complete, you are who you are type person, an authentic soul. Feel rejected by her purely for mistakes, carelessness, aimlessness etc. You feel rejected for being who you are not by someone not like Cindy. You want to fit Cindy into a story as a character who is trying to find a way to be an artist. Being an artist has something to do with hurt or something. You cannot change things. Things are the way they are. Can still work with Cindy. You realize you have not discovered anything or made any decisive actions as an artist or something. Even though you may have. You don’t feel validated in a larger sense of real life by them. Something about approach makes you feel insubstantial. You are totally incapable or even thinking sometimes. Totally honestly. Or something.
If you had a biographer she might write that you resiliently tried to work during this period but you were even distracted when you sat down to work because it was a popular and very accessible time for the internet. Maybe a period of crippling poverty or a war or something will happen to your life situation and you will go on to work and concentrate in a way that is notable and different from your peers.
Cindy is just comforted by art and not just watching or reading but writing and drawing maybe. Seems like that is a cool person to be. Confronted by sadness or happiness. You’re not sure what your preference is in friends. You think it is just kindness. The more you read and write though you discover that kindness sort of comes with taste. History is involved. You weren’t a heroin user early on so the drugged out crowd has moved on without you. They are in bands now. Ha!
You wrote this after that other thing:
The one piece you can understand @ once with pieces missing, unknowns. And about what you have decided to write about. because you like things and them seem to provide brain with energy. Thoughts. Not truth, understanding, acceptance, newness, just an instance of something happening out of other things being done or put into action. An experiment. On the scale of scientists just trying to figure things out without a lot of government funding or making things that will unnecessarily damage the environment or for the purposes of earning them money.
You don’t like this story.
You deleted the story accidentally. There was an error that involved the computer freezing and maybe cut and paste. And these notes. The original file of the notes survived though.
So you deleted the older versions of the story.
Actually you had an idea for a story that seemed easier to write.
The story you work on now seems to be funnier, the plot is there, you don’t have to stress over plot.
The story is also sad a lot in parts. Or pathetic for the one character.